An essay on the first stanza of A game of chess Essay

Through calling this poem A enlivened of chess, Eliot stick arounds with the theme he starts in The burial of the dead of heap who argon pin down in a wasteland and making no effort to escape it, so are thereof stuck analogous a those in a check-mate during a real game of chess. The title is also a reference to Women beware women by Middletone, a story in which a mother-in-law is playing chess, unaware that each move she makes on the chess board is matched by a move in the seduction of her daughter-in-law by the duke in the story.The reference to Middletons Women beware women gives a depiction of passion and lust which Eliot uses as a contrast in the poem. In the first stanza, Eliot describes a room that is elaborately decorated and filled with better-looking items such as, Sevenbranched candelabra and Vials of ivory and coloured glass. Even though the room is decorated expensively, through leaning the expensive items, he devalues them using bathos and parodying the womans e fforts to create a room that is beneficial of amazing items and ending up devaluing them.He compares the ladys room to Imogens bedroom in Cymbeline, through the mention of cupids, symbols of love. To stress the fact that although the woman has them, they are not full of life like the ones in Imogens bedroom. The woman in the room, a metaphor for people in the wasteland, is completely sentimental and Eliot shows us that he disapproves of this through his comparison of her with people, such as Cleopatra, who are symbols of lawful art and passion.He writes, The Chair she sat in, like a burnished throne in reference to the line from Shakespeares Antony and Cleopatra that says, The barge she sat in, like a burnished throne. By doing this, Eliot compares Cleopatra, described as being of unnumberable variety to the woman which stresses the fact that she is both artificial and sterile. Also, in the ladys room is an ornamental carv(d dolphin which Eliot mocks as the dolphin was a medie val symbol of love and something Cleopatra used to describe Antony, provided the woman has it in her sterile room which is empty of love.Eliot feels that the womans existence violates that of those in myth. He shows this using references to Ovids story of Philomel. A mythical woman who was transformed into a nightingale, after her natural language was removed by her brother in-law king Tereus, to prevent her from telling others that he raped her. He tells of how she cried, Jug, jug. But how it falls on dirty ears because people in the wasteland cannot understand and therefore continue to stay in their ways and therefore commit sins as bad as Tereus actions.Through the story, Eliot shows that true passion is not easy to obtain and like Tiresias, Philomel had to be violated before she could receive an bulletproof voice. Not only is the room full of lifeless art, it is also an eerie and disturbing place. We are told that the room is infused with colour as it mentions, Sea wood fed with copper. A chemical reaction that, burned-out green and orange. The use of a chemical reaction reminds us that the room is very man-made and unnatural. This vagary is re-enforced by, Strange and synthetic perfume. All of these things create a stuffy atmosphere, almost blinding because of the bright colours. The figurehead of the chemical suggests a lack of fresh air and suggests that this woman would be having trouble breathing another(prenominal) sign that she is barely existing and not truly alive. The nightmare setting created in A game of chess, is an example of the world as Eliot sees it. A capitalist world filled with passionless people who he feels merely exist to fulfil their temporary and carnal desire. He criticises the woman as sort of than canvasing to escape, she masks the atmosphere with her perfumes.He also makes references to the Sylvan scene from A paradise lost by Milton accompanied with the, Standards wrought with fruit vines to show what seems like an effort made by the woman to try to turn the room from hell into a paradise. But tells that she fails, beginning her descent into madness shown later in the poem. Eliot creates this room as a nightmare of the woman and then tells of how she is trapped in it, even though she tries to communicate with the outside world so desperately that even, her hair, Spread out in fiery points, Glowed into wrangling revealing her desperation to communicate with the outside world.